Monday, March 3, 2008

Origin of the Art


Sweetgrass basketmaking has been part of the Charleston and Mt. Pleasant communities for more than 300 years. Brought to the area by slaves who came from West Africa, basketmaking is a traditional art form which has been passed on from generation to generation. Today, it is one of the oldest art forms of African origin in the United States. Mount Pleasant, South Carolina, an old village and modern suburb on the north side of Charleston Harbor, enjoys the distinction of being the only place where this particular type of basketry is practised. Here, the descendents of slaves from West Africa continue the tradition.
During the days of slavery, rice cultivation, and the flourishing plantations of the Old South, these baskets were in great demand for agricultural purposes. They also brought extra income to slave owners, who often sold baskets to other plantation owners.
During this era, large work baskets were popular. For the most part, they were used to collect and store vegetables, staples, etc. Men made these large baskets from marsh grasses called bulrush. A common form which evolved during this era was the winnowing basket (rice basket) called the "fanner." Other agricultural baskets were for grain storage, cotton, fish and shellfish. Functional baskets for everyday living in the home were made by women. Some of these were made for bread, fruits, sewing, clothes, storage, etc. They were made from the softer, pliable grass commonly called sweetgrass (Muhlenbergia filipes), because of its pleasant fragrance, similar to the smell of fresh hay.
With the decline of the plantation system, black families acquired land and started a new way of life. Because they felt that this basketmaking tradition was an important part of their cultural heritage, and that future generations would be able to retain an identity with Africa through the baskets, they kept the tradition alive. The tradition remains very much alive today. For generations, it has been passed from mother to daughter to granddaughter. Around the beginning of the 20th century, the Lowcountry nearly lost this valuable art. However, in the 1930's, basketmakers saw a new surge of interest from gift shop owners, museums, and hand-craft collectors. The paving of Highway 17 North and the construction of the Cooper River Bridge made the route through Mt. Pleasant a major north-south artery. Basketmakers then started marketing their wares from roadside basket stands, which were directly accessible to tourists.

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